Towards the end of last year, writer/director Rian Johnson and Netflix released the third entry in the Benoit Blanc mystery series. As expected, it was thrilling, engaging, taught, layered, and chock full of the Kentucky-fried wit that makes the series and character so enjoyable. It was also the most complex head-scratcher in the saga. If you weren’t busy enough asking who? why? and how the hell? in this gothic whodunit, you were likely asking the same thing about elements of the score. And who is the culprit behind this soundtrack? That would be Nathan Johnson – series regular and usual suspect in the Johnson-verse. Their collaboration has spanned decades and…
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Interview…Composer Simon Franglen Goes Back to Pandora (Again) to Craft Lush Soundscapes for ‘Avatar: Fire and Ash’
For most things, they say that the third time is the charm. While the latest installment of the Avatar series seems to be trailing the two previous installments by just a bit at the box office, one thing is clear: the music and emotions in this franchise have never run higher. And to that we’re giving hat tips, golf claps, and jumping high-fives to composer Simon Franklin. He’s a pillar in James Cameron’s acoustic armory and has been carrying the musical torch/thematic through-lines established by James Horner for that little blue mega blockbuster way back in 2009. We had the incredible opportunity to speak with Simon about his work on…
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Interview…Composer Nicholas Pike on Finding the Fountain of Youth Through Music at Casa Verdi
Here we are with the first interview of 2026 and it already set the bar super high for the rest of the year. Our exceptionally insightful and entertaining session with multi-hyphenate Nicholas Pike has yielded stunning stories from his time in the music business. From playing flute and piano to writing and composing, Nicholas shared tales and takeaways about music direction, orchestration, working with the likes of Bill Frisell, Michael Jackson and Stan Winston. Those are just a few of the stops on the highway of his career. Like most musicians, Nicholas got his start at an early age, and his focus on jazz and unique playing styles helped him…
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Interview…Scott Bomar Helps Bring the Magic of Lighting and Thunder Through the Speakers and Screen in ‘Song Sung Blue’
There’s a saying that not all heroes wear capes. By that token, you can say that not all superstars get to the big time. Such is the case for the highly enjoyable, rousing and emotional story of Mike and Claire Sardina, a married musical duo called Lightning & Thunder. The couple are true “everyman” entertainers whose dreams and talent were never limited by their resources or their place in the world. Written and directed by Craig Brewer, Song Sung Blue gives the beloved Wisconsin-based act their big screen treatment. While they are far from the Hollywood Bowl, the very fact that this film exists is a testament to the perseverance…
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Interview…Kangding Ray on the Raw and Explosive Power of Music in Oliver Laxe’s ‘Sirât’
If you’ve been on the festival circuit this year, it’s likely you’ve heard about Sirât. The bold, tragic and unforgettable film by Spanish director Oliver Laxe was the winner of the Jury Prize at the 2025 Cannes Film Festival. And while it was collecting praise and laurels, composer Kangding Ray (aka David Lettelier) received the award for Best Original Score. People will, fairly, relate this to Mad Max: Fury Road, but it’s more apt to say this walks among other dour narratives like Wake In Fright, Valhalla Rising, and The Mosquito Coast. A two-hour visual and auditory trance, Sirât is incredible. Laxe gives us a world full of grit and…
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Interview…Composer Benjamin Wallfisch on Predators, Aliens and Clowns
It’s a good bet that if a film sticks with you, it’s because of the score. While it doesn’t do all the heavy lifting, a theme can pump a narrative full of so much intangible energy that it is basically a character in the story. So when a composer taps into the feature at hand, they can deliver some of the most impacting sounds you’ll ever hear. And those notes don’t just hit you in the feels, they echo in eternity. Benjamin Wallfisch is one such artist whose sonic blankets literally bring films and television to life. We chatted with him years ago to discuss A Cure For Wellness as…
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Interview…Dave Porter Gets Into Mysterious Musical Headspace with ‘Pluribus’
Composer Dave Porter brings his orchestral, rhythmically intricate, and emotionally resonant sound to Vince Gilligan‘s mysterious new series on Apple TV+. Porter, Gilligan’s longtime collaborator, crafted a score that mirrors the moral ambiguity, psychological tension, and humanity at the heart of the story. With a career spanning landmark television, feature films, and innovative orchestral projects, he continues to redefine the possibilities of scoring for the screen. The score for Pluribus (which premiered on November 7) emphasizes the stakes and shifting dynamics of the shows characters. The score blends orchestral textures with a small-scale choir to highlight the series’ unpredictable narrative. Porter’s work is incredibly essential to the nuance of Gilligan‘s…
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Interview…Laura Karpman on Maximalism, Making Her Own Brand of Music, and Letting the World Catch Up
If you’re a film score fan, you are sure to have your favorite composers as well as a collection of soundtracks that mean a lot to you. Over time, if you listen to any musician’s output you’ll notice grooves and rhythms that some refer to as a calling card. Whether it is the repeat use of an instrument, a style of music they play or the “Horner snarl”, a Goldsmith score is a Goldsmith score, a Williams score is a Williams score, and so on. Now what perks up our ears is when the music we hear is not easily discernible. Is that Doyle or Jackman, is that Shapiro or…
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Interview…Andrew Gordon Macpherson Talks Heavy Sounds and Heavy Metal in ‘Into the Void’
Composers are our jam, and we love getting in the weeds to find out how certain sounds and themes are made. Inspiration can literally come from anywhere. Sometimes, it’s the more obscure and unexpected muses that yield the most memorable themes. While these musicians work with picture (as well as discussions with filmmakers), many times their gut reactions are all it takes to bring amazing sounds into existence. I’ll always cite this example from Patrick Doyle to remind myself that anything is possible. So enter Canadian composer, Andrew Gordon Macpherson, who has tons of experience with all sorts of sounds and styles. His work on Dark Side of the Ring…
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Interview…Blitz//Berlin on Forging Friendships, Unique Sounds, and Genre Titles Hitting Theaters This Year
Blitz//Berlin is a group of three Juno Award winning film composers. The trio is best known for a variety of projects that border on strange an unusual, but their sound is so fitting for the likes of Jordan Peele’s “Scare Tactics”, “Blade Runner 2036”, “The Void”, and “Psycho Goreman”. They have numerous other films, television shows, video games, and film trailers to their credit…in fact, you might not even know they worked on some of your favorite things. Members Martin Macphail, Dean Rode and Tristan Tarr first met in high school, forming a Canadian punk band before beginning their film composing careers and relocating to Los Angeles in 2018. They…
