Mark Korven is a Toronto based award-winning composer of music for film and television, and has also composed feature film scores for acclaimed directors Deepa Mehta, Patricia Rozema and Vincenzo Natale. Mark is also a multi-instrumentalist specializing in world music. In 2008, he received a Gemini Award (Canadian Emmy) nomination for Best Original Score for a Dramatic Series for the police drama The Border. He also won a Gemini (Canadian Emmy) for the documentary A Promise to the Dead and the TV series A Scattering of Seeds. He has been nominated 14 times for Gemini awards and 8 times for Genie (Canadian Academy award) awards, and winning a Genie for Curtis’s Charm. Robert Eggers’…
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Interview…Composer Michael Brook on John Crowley’s Understated ‘Brooklyn’
Michael Brook is a Golden Globe and Grammy nominated composer, producer and recording artist recognized for his unique style of composition that traverses ambient, world, Americana, electronic and orchestral territories. His work often contains unusual combinations of instruments, sounds and moods that create a powerful, unique and emotional impact. Brook’s music career began as a recording artist, guitar player, producer and collaborator, working with artists such as Brian Eno, David Sylvian, Nusrat Fateh Ali Khan, The Pogues, on ground breaking labels such as 4AD and Peter Gabriel’s Real World Records. As his music began to be licensed in films such as Heat and Any Given Sunday, he developed an interest…
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Interview…Composer Harry Gregson-Williams on ‘The Martian’, Ridley Scott and Andy Weir’s Hopeful Space Epic
We first spoke to film composer Harry Gregson-Williams a few years ago and discussed his work on Zal Batmanglij‘s stunning throwback-styled thriller The East – a pensive score he shared credit with Halli Cauthri. It was a Scott Free Production, so it seems that these days Harry, even after his sabbatical, can never be found too far from Ridley Scott. The Martian is the film adaptation of Andy Weir‘s best-selling novel. It tells the story of Astronaut Mark Watney (played brilliantly and charismatically by Matt Damon – check out our glowing review here) as he struggles to get off the Red Planet. Harry was quite happy with the score and very happy to hear of…
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Interview…Composer Mac Quayle Gives ‘Mr. Robot’ its Surreal Groove
Grammy nominated musician Mac Quayle has written music for over 40 films and television shows, and has accumulated a long list of credits as a music producer, dance re-mixer and multi-instrumentalist. Mac recently received his first EMMY nomination for FX’s hit series, “American Horror Story: Freak Show,” starring Jessica Lange, Kathy Bates and Angela Bassett, and he will also be scoring the next season of “American Horror Story: Hotel,” starring Lady Gaga and Matt Bomer. In addition to Mac’s television work, he has also composed music for a diverse list of feature films and documentaries. Mac’s music as an additional composer for Cliff Martinez can also be heard in HBO’s EMMY-winning “The Normal Heart,” Film District’s…
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Interview…Composer Penka Kouneva on ‘The Woman Astronaut’
Film and game composer Penka Kouneva has worked for 15 years in Los Angeles on a variety of projects from games, to shorts, to feature films. Her own music is a blend of her Eastern-European upbringing, classical training, modern film & game music, and influences ranging from rock, electronica, Medieval chant to non-Western music. A woman composer role model on the vanguard of the rising momentum for women creatives in entertainment, Penka Kouneva made Hollywood history as the first woman Lead Orchestrator on films with a budget over $100M – Ender’s Game and Elysium. In various capacitites, she has had notable collaborations with the celebrity composers Hans Zimmer (orchestrator: Pirates 3,…
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Interview…Composer Patrick Doyle on His New Collection of Solo Piano Themes
Patrick Doyle has scored over 50 international feature films, including Rise of the Planet of the Apes, Harry Potter and the Goblet of Fire, BRAVE, Indochine, Carlito’s Way and A Little Princess. His work has led to collaborations with some of the most acclaimed directors in the world, including Brian De Palma, Alfonso Cuarón, Ang Lee, and Robert Altman. On July 24, Varèse Sarabande released The Film Music of Patrick Doyle: Solo Piano. The first of two planned albums features original performances and arrangements by the Oscar-nominated composer, the collection features some of Patrick’s most revered compositions performed on piano by Doyle himself. This exceptional album highlights eighteen tracks which include music…
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Interview…Composer Bill Brown Scores Season 2 of Dominion for Syfy
Bill Brown is an award-winning composer and creative force behind the musical scores of fan-favorite TV, film and video game thrillers, dramas and super-hero adventures. Widely recognized for his experimental approach to developing a unique sound and for creating dynamic orchestral landscapes, Bill is best known for composing the compelling musical backdrop for all nine seasons of the hit CBS series CSI: NY. Bill’s passion for composing is followed closely by his interest in cutting-edge sound technology. Developers regularly approach him to beta-test new music and sound design products; many in the music community as the go-to resource consider him when a product or technology recommendation is needed. Continually experimenting…
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Interview…Film Composer Patrick Doyle Weaves Magic for a Whole New Generation with ‘Cinderella’
If you visit the site often, or know me personally, you know that I love film…but I love film scores a whole lot more. Our “Composer Series” has become a large part of the site, and it has been incredibly rewarding being afforded the opportunity to speak with those who have created some of the most iconic and indelible themes of the last half century. Case in point. When we spoke with Patrick Doyle last year, we discussed his and Kenneth Branagh’s efforts to reboot the Jack Ryan franchise. His hybrid approach to the tech-thriller score was an exercise in tension and excitement, and everything you could want in a…
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Interview…Composer Tom Holkenborg (Junkie XL) on the Emotion Behind the Adrenaline in ‘Run All Night’ and ‘Mad Max: Fury Road’
When it comes to working in the film industry, and if you happen to be a talented and in-demand composer like Junkie XL, 16-to-18 hour days are the norm. Suffice to say, a composer’s work is never done but they also need to carve out time for necessary levity. A bit of a practical joker when it suits him (just ask his then assistant and now good friend Sam Estes about the in-office pranks), Tom Holkenborg has put his stamp on the music world with his bombastic drum kit and adrenaline-themed cues. He also knows how to help the director get to the heart of their story. Whether it’s a segment or two in The Animatrix,…
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Interview…Film Composer Mark Adler on Robert Kenner’s ‘Merchants of Doubt’
Mark Adler brings to his work as a composer a broad background in both film and music. At 16 he created an award-winning animated short which the New York Museum of Modern Art acquired for its permanent archive collection. A year later, he was the recipient of an American Film Institute grant for his original screenplay. He studied piano privately for fifteen years, and was initially a music major. His return to music followed graduation from film school at UCLA, where he studied film scoring with David Raksin. The 1980s were a renaissance for documentary film in the San Francisco Bay Area and Mark was soon scoring many of those projects. During…
