Sometimes you can meet a person and the way they look at life, their experiences, or just a few choice words can change the way you think about things. Having conducted over 200 composer interviews – each with unique stories from the industry – this particular podcast was one for the books for a number of reasons. We spoke with Julia Newman about her work on the second season of FEUD on FX. Most of the session was spent talking about life, her time in school, family ties to the industry and the valuable connections and foundation she’s made for herself. But mere minutes into the session (even before hitting…
-
-
Interview…Composer Andrew Kawczynski on Collaboration, Inspiration, Huge Films and Dream Jobs
Where does inspiration come from? How much influence does it have on you? And how does it help any creative get their work across the finish line? These are questions every artist has, and the answers can be wildly different. We interview a lot of composers and everyone has uniquely different stories, yet there is one constant we continually find baffling: they never have any time. On this episode of The GoSeeTalk Podcast Experience we spent more than an hour with seasoned composer Andrew Kawczynski. Last year, he and Lorne Balfe produced the adrenaline-fueled, head-nodding score to Gran Turismo. If you thought young Jann Mardenborough was in for a rough…
-
Interview…Randy Edelman on Songs, Scores, Musical Instincts and the Fiftieth Anniversary of ‘Prime Cuts’
Fifty years ago, Randy Edelman released his third record. Leading off this special album is the song Bluebird. “Prime Cuts” has many standout tracks – a mix of joyous, playful, down tempo and lovelorn tunes – but that one in particular exemplifies how he can pen something that seems simple yet comes across as wildly creative, poignant and timeless. He’s got the tools, he’s got the talent, and a very lovely voice; that’s what you call a triple threat. Randy has seen almost every aspect of the music business and while song writing and composing for films are two completely different animals, he can float back and forth between the…
-
Interview…Composer Harry Gregson-Williams on Aardman Animation, Tony & Ridley Scott, and Working with Family
One of the best bits about running GoSeeTalk is getting to know people over time. As consumers, we can watch anyone’s career grow. But from a journalistic standpoint, having conversations about what a particular creative makes, how they do it, and all the steps along the way make for a greater understanding and appreciation of the things we see and hear. So let’s go back to 2013 when we first had the great opportunity to speak to rock star composer Harry Gregson-Williams. We had an interview at length and dove head first into multiple high points on his resume. That was then followed up a couple years later to discuss…
-
Interview…Composer Joby Talbot on Paul King, Neil Hannon and ‘Wonka’
When you talk about comfort food, or feel-good movies, I’m sure everyone has their go-to picks, and the range of titles is probably as vast as any horizon. We’ve got a few for sure, but one that constantly offers something new upon repeat viewings is Garth Jennings‘ 2005 adaptation of The Hitchhiker’s Guide to the Galaxy. One of the many reasons it works so well is the score from Joby Talbot. In a word, it’s tremendous. Talbot, who began playing music at a very young age, has tried all manner of instrument and musical outfits and made a name for himself as keyboardist and arranger with Neil Hannon’s pop group…
-
Interview…Composer Fernando Velázquez on the Sophistication and Simplicity to ‘Inspector Sun and the Curse of the Black Widow’
I don’t know if anyone else has been keeping track of what’s hit screens in 2023, but we’ll just count down a few extraordinary or otherwise noteworthy releases. We got Barbie, The Flash, a new Ninja Turtles, the next Mission: Impossible, the last Indiana Jones, and before the end of the year, we’ll get a Dune sequel, a Willly Wonka prequel and a…wait for it…a David Fincher film, a Ridley Scott film, a Martin Scorsese film, annnd a Hayao Miyazaki film. Let that sink in as this is just a hint of the callbacks to a year that really and truly had it all. But one kind of film that…
-
Interview…Composer Doyle Donehoo Talks Big Scares in Space with ‘Aliens: Dark Descent’
Doyle Donehoo is a rocker-turned composer who gets to live out one of his greatest scoing gigs to date. He grew up with the Alien franchise and that certainly made an impact. Starting with Ridley Scott‘s masterpiece – which he saw in the theater – he’s lived in this world. Ask his about his memorabilia and that would start quite a conversation. Years later, like a kid in a candy store, he gets to expand the palette established by Jerry Goldsmith, James Horner, Elliott Goldenthall and others while adding his own spice to the mix. The difference in his efforts here is that his music is crafted for a video…
-
Interview…John Powell Composing the Score to ‘Still: A Michael J. Fox Movie’
While technically Canadian, Michael J. Fox is one of America’s most beloved actors. Fueled by an inability to be still, he’s been moving since the day he was born. That tenacity propelled him through his childhood and, years later, the difficult and nebulous waters of Hollywood. Rejections would have sent many young hopefuls packing…but not Mike. Perseverance and attitude prevailed and Fox was rewarded with film and TV work that charted an unparalleled course few actors have been able to replicate or even follow. One of the best words that could describe this pint-sized Canuck is “joyful” – his delivery and smile elicits a laugh every single time. Fox may…
-
Interview…Composer/Music Editor Robinton Hobbs on Score Production and Joy House Music
These days, regardless of the industry, we all need a little help. Whether that is outsourcing entire productions or a few hours of assistance and consulting, we can all use a support system. As the world grows ever more hungry for entertainment, the talented tradespeople making movies/shows, games, and music are in a flurry trying to deliver what’s needed. So to help with that project flow, Joy House Music has helped plenty of features and shows get the musical attention needed to finish the job. JMH is a woman-lead business working towards innovating the world of score production with a commitment to community, diversity and equality. Their company is a…
-
Interview…Composer Sandro Morales-Santoro on Heritage, Heartstrings and Versatility
Sandro Morales-Santoro is an award-winning Venezuelan composer based in Los Angeles. This creative multi-instrumentalist specializes in music for film and television as well as interactive and new media. His most recent scoring projects include hit TV-shows like WeTV’s ‘Kold x Windy’ and National Geographic/Disney+’s ‘Restaurants At The End of the World’. Sandro has also composed original music for Marvel Animation’s film ‘The Secret History of Venom,’ as well as co-composing World of Wonder’s ‘Explant,’ a documentary exposé about the breast implant industry. His most recent film ‘The Shadow of the Sun’ will premiere at LALIFF in June 2023. His skills as a composer are evident throughout his lush orchestral scores,…
