Think of Polisse as a towering and worthy successor to television shows like The Shield and, far more accurately, The Wire. Dedicated to portraying its events and characters by way of a realistic mien, the film revolves around the lives of the Paris CPU (Child Protection Unit) both on the job and at home; the focus isn’t on a single narrative through-line carrying the picture from start to finish but rather on the people behind the armbands and badges and what motivates them and what haunts them. Polisse‘s stylistic bent lends itself to a sense of disarray, but while the movie may read as somewhat helter-skelter as it leaps from…
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[IFFBoston Review]…Sleepwalk With Me
If Sleepwalk With Me does one thing well, it’s strike a balance between truth and delusion. For a film that grounds itself so heavily in reality while simultaneously reveling in the dreams of its protagonist, equilibrium is paramount; mercifully, the line between waking life and fantasy is never irreparably, irresponsibly blurred. We may not be able to immediately identify when our protagonist is dreaming– neither can he– but Sleepwalk With Me clues us in quickly enough so as to avoid leaving us in the lurch, establishing a clear relationship between the stages of awareness experienced by Matt, the aimless, disconnected, would-be comedian serving as our anchor. And why not? Dreams…
