When it comes to indie music, we go all in, and love finding new artists, new tunes, and new styles. Our lifeline to life-changing sounds has and continues to be Bandcamp. This go-to platform and community is home to hundreds of thousands of folks who are likely to produce your next favorite earworm. We have a solid list of folks whose works have become part of our DNA. While they may not be household names, they live rent free in our heads and on our turntables. As such, we were excited to speak with Highway Superstar about his otherworldly creations and soundscapes. The musical alter ego of Alex Karlinsky (the…
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Interview…Composer Ilan Eshkeri on 20 Years of ‘Layer Cake’ and Personal Music Pursuits
To those in the know, Layer Cake is the landmark British crime drama of the 21st century. Since 2004, it has continued to impress audiences, and for two solid decades it is still going strong, gaining new fans as it finds its lane along with other captivating and gritty stories of narrative quicksand like The Game. It’s clever, complex, serious as cancer, but also one entertaining ride book-ended with one of the best opening sequences and closing shots of all time. To the fans out there, you’ve helped make it resonate. To those yet to be initiated, welcome, you are in for a treat. The film had a proper release…
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Interview…Composer Colin Stetson on the Musical Terror of ‘Uzumaki’
Today, we got to speak with super stylish saxophone wizard Colin Stetson. He’s made a name for himself with vast soundscapes and unnerving compositions in films like Color Out of Space, The Menu and Hereditary. He’s also got a new one coming next month from Hulu called Hold Your Breath where he similarly works his unsettling magic in an intimate, small-scale picture. But the topic du jour is the palette he crafted for the unbearably beautiful yet grotesque adaptation of the Japanese manga Uzumaki. Here are some notes from the official Milan Records press release about the show and the soundtrack. A captivating masterclass in psychological horror and obsession, Uzumaki…
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Interview…Andy Timmons: The World’s Smoothest Guitarist
This year has been a great year for us in terms of interviews. We consider ourselves lucky to be able to talk with so many people we admire, and we’re constantly surprised by the stories our guests share. So before we get started, here’s a question for all you music fans: Who’s your favorite guitarist? The answers will vary for sure, but there are some usual suspects – Clapton, Vai, Slash, Johnson, Mars, Vaughn, etc. Today’s interview is focused on someone who leads the pack because of his playing style, his versatility, but also his consistency. Andy Timmons has a ton of fans, and one thing you’ll see among all…
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Interview…Catherine Grieves on Music Supervision and ‘Baby Reindeer’
Growing up on a healthy diet of No Doubt and ’90s era music, Catherine Grieves was unknowingly charting her course to the field of Music Supervision. Cat was also thinking about music in those terms anyway; she’d always wanted to be the person who chooses songs for Match of the Day, aka the world’s most famous football show. While it didn’t seem a tenable career path, she followed her musical interests (playing flute and piano and singing) before getting a degree in Sound Engineering. The need for music supervision on TV and film in the UK increased, and Cat got an internship at the time more BBC productions were trying…
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Interview…The Waltzes, Wizards and Wonder of Composer Patrick Doyle
As die-hard fans of film scores, one of our favorite people to speak with is composer Patrick Doyle. While he’s known the world over for his sensational, rousing, and robust music, that’s really only a portion of the man. Whenever we talk to him about his life, we segue into topics that, some times, are even more fascinating than the topic du jour. For instance, Patrick lives in London and has had a holiday home in France for 30 years; a building that conservatively one could estimate was built in the 1700s. Also, not many people can claim to own a tapestry that adorns a centuries old wall. That’s pretty…
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Interview…Lawrence Loh on Conducting ‘Harry Potter and the Goblet of Fire’ and Other Films In Concert
In advance of the live-to-picture performances of Harry Potter and the Goblet of Fire with the Dallas Symphony Orchestra this month, Lawrence Loh sat with us to discuss his career, the nuances of conducting as well as his recent appointment to Music Director of the Waco Symphony Orchestra. Those of you North Texas symphony fans and concert goers will likely have seen Lawrence at numerous events (like the Christmas Pops) as Associate Conductor of the Dallas Symphony Orchestra where he has delighted audiences for years. As a self-described “Star Wars geek” and film music enthusiast, Loh has conducted numerous sold-out John Williams and film music tribute concerts. This month’s program…
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[Exclusive] Interview…Kip Winger – Rock Legend & Classical Compositional Master
Once in a great while we get the chance to speak with someone we’ve truly admired for years. In this case it is decades, plural, and Winger has been deep in our acoustic DNA since 1991. On today’s show we reached for an out of this world guest and are so excited to share this interview with you. It was a true thrill speaking to Kip Winger about the impressive and dizzying number of projects and albums from the rock world to the classical music landscape. Those of you who are fans of hits like “Down Incognito“, “Easy Come Easy Go” or “Headed For A Heartbreak” (just to name a…
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Interview…Director James Marsh on the Brilliant Writing and Acting in ‘Dance First’
We live for films that surprise, entertain and delight. Whether it is the subject matter or the talent involved, when something raises eyebrows or pulses it tends to stick with you. One such film is James Marsh’s latest effort. The BAFTA and Academy Award winner (The Theory of Everything) brings us a stunning adaptation of the life of playwright Samuel Beckett. In our eyes, the most remarkable part of Dance First is the writing from Neil Forsyth. It’s sharp on paper but is increasingly elevated by the amazing cast which make the scenes and dialog so compelling. So it’s no surprise that we were excited to speak to Marsh about…
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Interview…Composer John Debney Blazes the Trail for ‘Horizon: An American Saga’
When you think of Westerns, and the truly great scores and soundtracks that propelled them into legendary status, there are a staggering number of all-time greats. Much of that credit is thanks to a wide range of composers who have tried their hand in this sacred genre: Elmer Bernstein, Dimitri Tiomkin, and Alfred Newman for starters. Then there are contemporaries like Bruce Broughton, Alan Silvestri, John Barry, Michael Kamen, James Newton Howard, Harry Gregson-Williams and James Horner as well as those just dipping their toe in for a particular film David Newman and Michael Abels. Part of that great pantheon is John Debney who has been around the corral a…
