Attention: CONTEST IS NOW CLOSED – All passes have been claimed. Thanks for your interest in Fox Searchlight’s BLACK NATIVITY. ———————————————————————————————————————————— Go,See,Talk is partnering with Fox Searchlight to give Dallas area film fans FREE passes (good for you +1 guest) to a special “Advance Screening” of BLACK NATIVITY starring Forest Whitaker, Angela Bassett and Jennifer Hudson. This screening will take place in DALLAS, TX on Thursday, November 21st at 7:30 PM. So how do you claim/win them?? Simple. Click the poster above to get your PRINTABLE GoFoBo pass…but it’s first-come, first-served so act fast!! Be one of the first people to register for your ticket and you’ll get to see…
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Sweet Trailer…'Divergent'
Imagine this: it’s the distant future, and society has been divided into five separate factions, each of which represents one of humanity’s best traits. You’re born into either Abnegation, Amity, Candor, Dauntless, or Erudite, and from that point on, you’re the embodiment of that one characteristic – until your sixteenth birthday, when you take an apparently government-mandated aptitude test that identifies which faction you fit into the best. Now imagine that the test fails, and you could fit into any number of factions. And that this particular quality – known as divergence – makes you a danger in the eyes of the powers that be. That’s the basic gist of…
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Exclusive: Interview (Part III)…Film Composer Steve Jablonsky on Experimentation and Career Experiences
We’ve come to the final post, Part III of the 90 minute interview we had with the incomparable Steve Jablonsky. Hitting on a number of topics we got a deeper look into his process and Steve offers even more personal experiences and insight into his phenomenal scores. If you’re just joining us, check out Part I and Part II (really, if you love film music, they’re not to be missed) but if you’re all caught up then enjoy the final leg in this trio of interview posts with amazing composer Steve Jablonsky. ——————————————————————————————————————————— – “Making sounds” as opposed to just composing them is a very proprietary approach. But do you think,…
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Exclusive: Interview (Part II)…Steve Jablonsky’s Big Break, His Process, and Living In Michael Bay’s World
In Part I of our interview with film composer Steve Jablonsky we talked about his recent score for Ender’s Game. A major player in the word of film music Jablonsky has made a name for himself contributing to and fully scoring some of the most successful blockbusters in the last decade. Working with the likes of Harry Gregson-Williams and Hans Zimmer, Jablonsky has become an in-demand composer and he continues to score films for some of the biggest names in the industry. So jump right into Part II as we discuss Steve’s big break, scoring a slew of horror remakes for Michael Bay’s production company Platinum Dunes and of course…
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G-S-T TV: American Horror Story: Coven (3.2 – 3.5)
Let’s play catch-up with Miss Robichaux’s Academy for Exceptional Young Ladies, shall we? In just a scant four episodes (maybe not so scant if Coven measures to the same length as its forebears in American Horror Story canon), Ryan Murphy has treated us to nearly as much weird sex, regional creepiness, and explicit gore as what Asylum offered viewers; this isn’t a season that’s had to struggle much to find any footing, even if the most recent episode felt a tad unfulfilling (Zoe’s delightful chainsaw rampage notwithstanding). That’s just what happens when you give your season a sense of balance instead of yanking it every which-way possible. So where are we, five weeks after…
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G-S-T Review…Thor: The Dark World
The terms and ideas surrounding a character like Marvel’s Thor (Odinsleep, bifrost, Yggdrasil, etc.) whether based on Norse mythology or not, are admittedly strange. Yet Thor (Chris Hemsworth) was kind enough to put it ever so simply in his 2011 film, “Your ancestors called it magic but you call it science. I come from a land where they are one and the same“. Well if you found comfort in Kenneth Branagh’s Richard Donner-like origin story, Thor: The Dark World is like taking AP Calculus just when you think you’ve got the hang of your times tables. Not that Alan Taylor’s follow-up film is particularly smart (ambitious is more like it)…
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G-S-T Review…Diana
As a young lad, my measure of acquaintance with Diana, Princess of Wales started and stopped with the following details: she was British, beautiful, and a hair’s breadth from sainthood. Her death in 1997 meant little to me as a sheltered American boy, and only signified that the people I saw on television weren’t immune to harm or free from danger. The vulturous ethics of the paparazzi culture that was so thoroughly alien to my thirteen year old self, of course, has become much more familiar to me since, so today, at the very least, I can appreciate the cultural significance of her demise more than a decade and a…
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Sweet 2nd Trailer…'The Hobbit: The Desolation of Smaug'
If you’re among those campaigning for studios to cut shorter trailers for their tentpole releases, then the newest trailer for The Hobbit: The Desolation of Smaug may cut harshly across your grain. At the same time, three minutes feels almost appropriate; Peter Jackson’s Middle Earth opuses never last less than two and a half hours, so perhaps there’s a sense of obligation to make promo footage for the picture feel proportionately epic in scope. Look at it this way, though – it only takes them less than a third of that time to work the title of the film into the mix! That’s probably small consolation. At any rate, The Hobbit: Hobbit…
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Exclusive: Interview (Part I)…’Ender’s Game’ Composer Steve Jablonsky
For more than a decade Steve Jablonsky has been composing riveting scores for some of Hollywood’s most bombastic blockbuster films. From the Japanese anime Steamboy (directed by legendary filmmaker Katsuhiro Otomo), to Michael Bay’s The Island and Transformers series to scoring no less than 4 feature films in 2013 alone, Jablonsky’s epic sounds have become a staple in the world of action films. Whether things are blowing up on the silver screen, the TV screen or in video games, Jablonsky is one of only a handful of go-to composers who consistently deliver diversity and complexity along with high energy themes. Originally focused on becoming a recording engineer, Jablonsky’s career as a film composer developed after assisting…
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G-S-T Review…Ender's Game
We’re living in a time when the phrase “unfilmable novel” can no longer serve as an excuse for poor page-to-screen adaptations of quintessential stories on the receiving end of the Hollywood treatment. Over a decade ago, Peter Jackson shouldered the burden of that challenge by taking J.R.R. Tolkien’s Lord of the Rings books and turning them into a trilogy of three hour and change films (or one ten hour film, depending on your perspective) whose joint success led to criminal cultural misuse of the word “epic”; nobody can so cavalierly write off their inept filmmaking based on a text’s inclination toward being transposed onto celluloid. It’s a blatant cop-out. Which…
