If you’re anything like us over at Go, See, Talk! when it comes to things that go “bump” in the night, then October likely holds distinction as one of the best movie months of the year. No other thirty day stretch (and change!) across the span of the calendar represents and impels celebration of a cinematic genre so well as October; when the leaves start to turn and fall and pumpkins begin to come out in force, that’s the spirit of the season telling you to grab a group of friends and start up your horror movie marathons. So what better way to honor Halloween than with a month-long tournament…
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Ohhh, Look…Spooky Retro Monster Posters From Tim Burton's 'Frankenweenine'
From creative genius Tim Burton (Batman, Alice in Wonderland) comes Frankenweenie, a heartwarming tale about a boy and his dog. After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life—with just a few minor adjustments. He tries to hide his home-sewn creation, but when Sparky gets out, Victor’s fellow students, teachers and the entire town all learn that getting a new “leash on life” can be monstrous. Below are 6 pretty awesome looking drive-in movie styled posters for your enjoyment…run in terror from the likes of New Holland’s reanimated pets!! A stop-motion animated film, Frankenweenie was filmed in black…
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[Fantastic Fest Interview]…’Antiviral’ Writer/Director Brandon Cronenberg & Star Caleb Landry Jones
David Cronenberg…it’s likely you know the name, and if you do then you know what it means. Synonymous with weird, wild and WTF, his films (Scanners, The Fly, Naked Lunch) are incredibly well-crafted, albeit tough to understand at times. Sometimes, in the case of something like Videodrome, his message can be unsettlingly prophetic. But now there’s a new kid in town carrying the wonky torch for the family, oneBrandon Cronenberg and if you’ve seen his film Antiviral (check out our review!) then you know the apple doesn’t fall far from that creatively warped tree. Brandon makes his feature film debut as both writer and director. His film, Antiviral, is a dark and eerie satire on society’s obsession with celebrity that…
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G-S-T Review…Looper
At a glance, Looper almost feels like an outlier in Rian Johnson’s minute body of work. Unlike Johnson’s flawless debut, Brick, or his disappointing sophomore effort, The Brothers Bloom, Looper operates within a grand, wide-spanning scope that reaches across time; the central story here is intimate, just as in his other films, but it’s set against a backdrop of classical science fiction world-building and the machinations of time travel. We’re not in high school, Montenegro, or Prague anymore, but rather a dystopic vision of the future which we experience at two very different points in history, both populated with hover bikes, mafia button men, rampant poverty, and telekinetic mutations. Robbed…
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G-S-T Review…Side By Side
For over 100 years photo chemical film has been the gold standard in the film industry. But in the last two decades the advent and advances in digital technology have offered filmmakers a cheaper, easier and sometimes better alternative as a means to capture images and tell stories. In Side by Side, Keanu Reeves and writer/director Chris Kenneally put their finger on the pulse film world and explore the levels to which digital capture technology has created a paradigm shift across the world. From directors, to colorists, to editors etc, no trade is unaffected by this change in the medium. Is this the end of film? Well, it’s not a clear cut answer…
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G-S-T Review…Hotel Transylvania
These days all major studios have an animation department that competes in the realm of animated films. While Disney/Pixar dominates the animated film scene, what about the other studios that are bringing different types of animated films to the table? Not everyone wants to see the same Disney boilerplate template over and over again; they want some variety. Some studios have made it a point to push the boundaries of a PG rated animated film, poking fun at Disney classics and children’s tales. Sony Pictures Animation does not go that far, but they certainly have taken their films in another direction. Hotel Transylvania is a film that may have the…
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2012 Fantastic Fest Recap (Or How I Learned To Manage My Time At Such An Overwhelmingly Awesome Film Fest)
This year was Go,See,Talk’s first time attending Fantastic Fest and I have to say it was everything they said it would be. Since I was only there for 4 days, I missed out on some later week fun like the secret screening of Cloud Atlas (with a supposedly awesome Q&A with the Wachowskis…UGGGG), but there was still lots to see and do and I got a lot of reviews/coverage under my belt. For such a great festival with a huge draw it’s amazing to see how quaint and laid back everything and everyone is. You can easily bump elbows in such small proximity with both filmmakers and actors but also the film…
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Ohhh, Look…Astonishing 110 Year Old Color Film Prints Discovered and Preserved
Since our interview with Chris Kenneally (writer/director of the doc Side by Side) the other day I’ve been thinking a lot about the idea film preservation. Well along comes this neat video showing newly discovered film from 1902 that is the very first film to be printed in color. It’s quite amazing to see something that we’re so used to seeing in black and white now shown in color, and all through a pretty simple and seminal process. In 1899, Edward Raymond Turner’s ingenious and patented process “shot three successive frames through red, green, and blue filters, and then projected them on top of each other to create a full-color image”. The result,…
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Interview…’Side by Side’ Documentary Writer/Director Chris Kenneally
In writer/director Chris Kenneally‘s documentary Side by Side, he and Keanu Reeves take us on a tour of the past and the future of filmmaking. For the past 100 years photo-chemical film has been the gold standard in the industry. But over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Covering a multitude of angles and showing points of view from many people who have an instrumental hand in the filmmaking process, Kenneally and Reeves put their finger on the pulse of the digital movement and showcase a good cross section of opinions. They explore the development of cinema and the impact of…
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[Fantastic Fest Review]…Bring Me the Head of Machine Gun Woman
Yep. That’s really the title and just another reason why this festival has such a large draw and wide appeal, especially for those film fans who want something outside the norm. With Bring Me the Head of Machine Gun Woman, writer/director Ernesto Díaz Espinoza makes a fine addition to the series of Grindhouse films that have popped up in the last decade or so. While some sub-par releases have diluted this fun throwback sub-genre and B-Movie revival, Espinoza, like he has with Mirageman and Mandrill, gives hope for the movement and an example for those who will follow his footsteps. There’s an authenticity that rises above gimmick or fun solely for inebriates, possibly because it’s…
