If you hate being the one guy at a party who doesn’t dig recreational drug use, you’re probably going to have a rough time with Crystal Fairy. Oscillating between road trip shenanigans and drug-induced catharsis, Chilean filmmaker Sebastian Silva has the makings of a good film lying right out in the open, but the film’s better elements -an absolutely fearless performance by former child actress Gabby Hoffman chief among them – never gel cohesively with the areas where Crystal Fairy ends up failing. For a story that hinges entirely on a journey of personal realization and cactus-derived hallucinogens, the film exhibits a shocking lack of profundity and doesn’t end up…
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G-S-T Review…The Wolverine
The latest Wolverine adventure, if nothing else, is a return to form. Instead of holding the clawed mutant back, director James Mangold truly unleashes the beast within. We find Logan beaten and withered from his travels and in hiding from his snarling ways. When he finds something to fight for, though, he truly lets it out unlike we’ve seen before. The other nice thing in this adventure is that a change of setting is fully embraced. Fans of the character from the comics will know Frank Miller’s influential comic storyline of Logan’s travels to Japan. The film plays to a lot of the same beats, though it has some clever…
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G-S-T Review…Fruitvale Station
How can anyone review, much less watch, Fruitvale Station without bringing up the 18th Florida circuit court’s verdict in the George Zimmerman trial? The film, which comes courtesy of newcomer Ryan Coogler and marks one of 2013’s most noteworthy debuts, doesn’t reignite national discourse on social justice, race, and the second amendment in the US so much as it reinforces it; to call Fruitvale Station “timely” would be an understatement, though that’s not at all to imply shrewd, heartless planning on Coogler’s or the studio’s behalf. Chalk the picture’s release up to a happy (or unhappy, depending on how you look at it) coincidence, and then gird yourself for a…
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G-S-T Review…Blackfish
Blackfish director Gabriela Cowperthwaite throws a lot of information at us in less than an hour and a half, and it’s all crucial to making sense of the narrative she follows in her searing, heartbreaking, somber film. The good news is that she’s an ace filmmaker, and she knows how to convey everything that we need to know effectively, efficiently, and with clarity, but that knowledge must be served with a simple caveat: you can’t unlearn what Blackfish teaches, and that’s both a blessing and a curse. Cowperthwaite’s picture documents inhuman abuses inflicted upon non-human creatures in stunning enough detail to turn even the most dedicated SeaWorld fanatic into an outraged protester. In…
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G-S-T Review…The To Do List
Someone needs to start a Kickstarter campaign to get Aubrey Plaza some acting lessons. That comment sounds infinitely more cruel than intended; Plaza has long been a pivotal, hilarious supporting figure on NBC’s fantastic sitcom Parks and Recreation, and just last year she took a solid starring turn alongside Mark Duplass in Safety Not Guaranteed, but the numerous delights of her work in both underscore the limits of her range as a performer. There’s nothing wrong with having a niche, of course, but her schtick – “deadpan, apathetic, couldn’t-care-less twenty-something” – is not only specific in the extreme but also incapable of sustaining a feature-length picture for its total running…
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G-S-T Review…Pacific Rim
Let’s begin this review on the bluntest note possible: Pacific Rim is the summer’s best blockbuster by several leagues. That may read as grotesquely biased coming from someone who grew up on Ultraman, Ray Harryhausen, and Toho films and discovered mecha anime titles in his college years; it probably doesn’t help my case that Guillermo del Toro happens to be one of my favorite contemporary filmmakers, either. But if my loyalty to del Toro and my passion for the kaiju films he has modeled so much of Pacific Rim after give me a clear dog in the seasonal fight for popcorn supremacy, my sentiment about his latest film remains as…
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G-S-T Review…The Way, Way Back
Oscar-winning screenwriting partners Jim Rash and Nat Faxon (The Descendants) celebrate their directorial debut with The Way, Way Back, a familiar coming of age story that is sweet, funny and poignant. Teenage angst and the “us versus adults” battle shown from the male perspective are popular themes right now, with film like Mud and Kings of Summer releasing earlier this summer, but as a labor of love project for this filmmaking duo, The Way, Way Back has been a long time coming. It’s a film that manages to be a crowd-pleaser without trying too hard. The title refers to the back seat of a vintage station wagon, where 14-year-old Duncan (Liam James)…
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G-S-T Review…The Lone Ranger
Poor, poor Gore Verbinski. The man who made waves with Pirates of the Caribbean a decade ago, an unexpected hit in its time, will forever be chasing that lightning in a bottle. Sure the sequel Dead Man’s Chest was a step up but At World’s End was a bloated mess. Sadly The Lone Ranger shares much in common and suffers the same fate as the third Pirates outing that finds the story lumbering under the weight of the plot. It can’t get out of its own way and that keeps what should be a really fun time just out of reach. It’s a fun Western, something for kids and adults,…
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G-S-T Review…The Heat
If you weren’t familiar with Freaks and Geeks or just don’t watch a lot of TV shows, then the name Paul Feig probably didn’t mean anything to you until 2011. That’s when a little film called Bridesmaids took the film world by storm and made a star of a certain Melissa McCarthy in one fell swoop. In his latest film Feig continues to impress and tickle many a funny bone because, in short, The Heat is white-hot with humor, wit and style. It’s also one of the best times you’ll have in the cinema this year…and what a way to officially kick off Summer. Where as Bridesmaids was written by women…
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G-S-T Review…World War Z
Good news for fans of World War Z, Max Brooks’ brilliantly crafted mock-oral history detailing the events and aftermath of a worldwide zombie holocaust: Brad Pitt and Marc Forster have made their adaptation of the text in name only. World War Z, Pitt’s misguided attempt at building his very own action franchise through his very own production company, borrows little and less from the source, cherry picking only a handful of moments from a very short list of its innumerable perspectives and locations; readers will immediately recognize the material that made the cut, though the film veers such a sharp left from the book that they may also be left…