In what should be news to no one, Netflix’s original content has been steadily increasing in both quantity and quality. And if you’ve been keeping up, their TV shows have not only been binge-worthy, they are also exceptionally entertaining. One such show is Bodyguard. Today, we’re thrilled to offer an exclusive for fans of the show: a remix of the Ruth Barrett composed theme reimagined by Paul Hartnoll from Orbital. Ruth is a fan of Hartnoll, and if you remember The Saint theme they did then this is as welcomed as it is enjoyable. Have a listen to the track below… Ruth Barrett is one of the most sought-after film…
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Video Interview…Alisha Wainwright and Jason Ritter Discuss Themes and Characters of ‘Raising Dion’
This week, the stars of Raising Dion were in Dallas to promote their new Netflix show. It is so good! Adapted from a comic book of the same name, this is a wonderful and engaging story of a single mother dealing with her 8 year-old son, Dion, who just so happens to have super powers. There is a lot of heart in this sci-fi drama which is light and funny, but it also deals with some tough issues. Enjoy our time with Alisha Wainwright and Jason Ritter as we talk about the themes in the show, what they brought to their characters, and, of all things, funny ring tones. It…
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Exclusive: Interview…Mac Quayle Brings Guitars and Gun Fighter Gusto to Netflix’s ‘The Politician’
Composer Mac Quayle is a musician we’ve followed for years. And if you’ve kept up with his output, he’s quite hard to keep track of. One thing is for sure: Mac is very busy and very much in demand. He’s recently worked on four seasons of American Horror Story, as well as Mr. Robot, Feud: Bette and Joan, Pose and now he’s venturing into Netflix territory. The common thread between him and his prolific output is the equally prolific Ryan Murphy. One thing Mac prides himself on is the distinctive palette he creates and brings to each project. In the case of a show like AHS, that palette changes from…
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[Fantastic Fest Interview]…Director Jim Mickle on Filming ‘In the Shadow of the Moon’
Director Jim Mickle is no stranger to genre filmmaking. He’s made films about cannibals, vampires, and psychopaths and won plenty of fans along the way with We Are What We Are, Stake Land, and Cold in July. In his latest, the upcoming Netflix title, In the Shadow of the Moon, he explores the concept of obsession in a multi-generational familial drama. It’s also a murder mystery detective story that has an element of time-travel. So, yes, it’s ambitious to say the least, and it’s also Mickle’s largest production to date. The film stars Boyd Holbrook, Cleopatra Coleman and Michael C. Hall who all play a part in this massive story line. We…
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Video Interview…David Harbour on Hopper, Horror, and Big Hair in ‘Stranger Things’ Season 3
For most of this year, we’ve been getting ready for the upcoming season of Stranger Things. We’re still more than a week away, but one thing that took our mind off the wait was the chance to speak with David Harbour. That’s right, Police Chief Jim Hopper himself was in Dallas as part of a press event to promote the show. While in the Big D, he was treated to some of the best baseball and BBQ we could offer. Hey, it’s the least we could do. Thanks, Dallas, for making David feel at home. He’s already a pretty laid-back guy (I spent close to an hour with him in…
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Interview…Composer Federico Jusid on the New Sound of Netflix’s ‘Watership Down’
Award-winning composer, Federico Jusid, is a multifaceted artist with many titles including concert pianist, conductor, and film and theater producer. He is best known for scoring the Academy Award-winning Best Foreign Language film, The Secret in Their Eyes, which Federico composed with Emilio Kauderer. Earlier this year, Federico completed the score for “This Is Us” creator Dan Fogelman’s drama, Life Itself, starring Olivia Wilde and Oscar Isaac. His other recent work includes scoring Spanish dramas such as, Loving Pablo, starring Javier Bardem and Penélope Cruz, A Twelve-Year Night and Ola de crímenes. Federico recently scored Netflix and BBC‘s re-imagining of the childhood classic, Watership Down. Federico’s orchestral score is accented by electronic sounds and metal instruments which reflect the…
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ALL PASSES CLAIMED – Advance Screening Passes to Netflix’s ‘BRIGHT’ in DALLAS, TX
Attention: CONTEST IS NOW CLOSED – All passes have been claimed. Go,See,Talk is partnering with NETFLIX to give film fans FREE passes to a special Advance Screening of David Ayer’s BRIGHT starring Will Smith. Click the poster below and claim your ticket directly from the GoFoBo website!! ***Note: Use the following promotional link on the ticket page: BrightGST This screening will take place on December 21 at 7:30 PM These passes are first-come, first-served so be one of the first people to register for your ticket. BRIGHT will release on NETFLIX on December 22, but you can see it on the BIG SCREEN for free the evening of the 21st. Finally, as always, the…
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Interview…Brian McNelis Discusses Vinyl Releases at Lakeshore Records and Experiences in the Music Industry
Thanks largely to a trip to Record Store Day in 2014, I have become an increasing fan of soundtrack releases on vinyl…and I’ve never looked back. You may have your own go-to retailers, and while a significant portion of my collection is comprised of Mondo titles, Lakeshore Records (the independent music division of Lakeshore Entertainment) remains a notable force that issues some of the most vibrant, stunning, and downright bad-ass releases you’ve ever seen. We spoke to the company’s Senior Vice President of Music and Soundtracks, Brian McNelis, about his day-to-day with Lakeshore. As you might expect, after scanning through the hefty number of releases on the Lakeshore Records website,…
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G-S-T TV: ‘Orange Is the New Black’ Is Your New Obsession
(We’re trying something new here at Go, See, Talk!: we’re talking about TV now. GST will remain a primarily movie-oriented outlet, but we’re expanding our brand and slowly starting coverage on the television shows that we’re interested in the most.) I’m not going to pretend that I don’t have a tiny bias in favor of Orange Is the New Black‘s continued success as the seventh Netflix original series; I love Weeds, half of it anyways, and I have a completely random personal connection to Jenji Kohan’s latest endeavor to boot*. But when have I ever allowed my biases to keep me from singing the praises of the movies and television…
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Off the Netflix Queue…’Headhunters’
It ain’t easy being short. Boiled away of its particulars, that’s the central theme of Morten Tyldum’s Headhunters, although “don’t involve yourself in corporate espionage” could well be the larger takeaway. After all, no good whatsoever can come from invoking the wrath of Jaime Lannister, especially a Jaime Lannister armed with nano-technology designed in service to tracking human beings. But Tyldum instills an abundance of textbook male security in his hero, one Roger Brown (Aksel Hennie), a man who lives his life under constant self-induced stress and paranoia. What does Roger have to fear? He has a high-paying job as one of Norway’s top employment recruiters, a modern domicile of impeccable…
