We’ve all seen the movies where a character is a one-man army, or everything just happens to work out for them, right? Well, what if this particular man – the one carrying 100% of the story – is about as hopeless and down on his luck as you can find? In many ways that’s more appealing because it’s their flaws, quirks and weaknesses that shine brighter than their strengths. So let’s take a look at one such a character, Sebastian Poe (played by Billy Blair), in Derek Presley‘s latest film. Written and shot here in Dallas, Tonic tells the tale of a barfly jazz pianist who must commit murder in…
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Interview…Composer Sandro Morales-Santoro on Heritage, Heartstrings and Versatility
Sandro Morales-Santoro is an award-winning Venezuelan composer based in Los Angeles. This creative multi-instrumentalist specializes in music for film and television as well as interactive and new media. His most recent scoring projects include hit TV-shows like WeTV’s ‘Kold x Windy’ and National Geographic/Disney+’s ‘Restaurants At The End of the World’. Sandro has also composed original music for Marvel Animation’s film ‘The Secret History of Venom,’ as well as co-composing World of Wonder’s ‘Explant,’ a documentary exposé about the breast implant industry. His most recent film ‘The Shadow of the Sun’ will premiere at LALIFF in June 2023. His skills as a composer are evident throughout his lush orchestral scores,…
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Interview…Composer Nitin Sawhney on ‘What’s Love Got To Do With It?’
We love it when a film serves as a vehicle to say something deep and meaningful. One such story is the latest from Shekhar Kapur. His direction of the story from writer Jemima Khan – about the modernity to arranged marriages in Indian cultures – give What’s Love Got To Do With It? its tangible emotional core. Adding to the success of that is the score from composer/songwriter Nitin Sawhney (who wrote the original score for the film and three original songs). Shazad Latif and Lily James carry the film, yet it is the subtle worldly vibe the music adds to certain story beats which “marries” well with many pivotal…
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Interview…Paul Haslinger on Electronic Soundscapes, Subtext, and Scoring Processes
If you were around in the ’80s, few things defined “cool” like music did. And, film fan or not, the top of that list is most likely going to be Tangerine Dream: the German electronic music outfit who dominated airwaves and theaters with their cutting edge electric sound. One key member of that ensemble pushing the electronic side of the band was young Paul Haslinger who joined up with them after their big hits like Sorcerer and Risky Business. Bringing a younger video game sensibility, he helped change the course of their sound for the better and contributed plenty including scores to Near Dark, Miracle Mile and Three O’Clock High.…
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Interview…Composer Alex Heffes on the Fun, Feverish and Flavorful Score to ‘Mafia Mamma’
Alex Heffes is a Golden Globe, BAFTA and 3 x Ivor Novello nominated composer who has scored over 70 feature films and TV projects. He has worked with many of cinema’s top filmmakers including Kevin Macdonald, Steven Frears, Catherine Hardwicke, Mira Nair, Tim Burton & J J Abrams. His unique ability to collaborate with artists from different cultures has been been a trademark of his style. He collaborated closely with Burton on his screen adaptation of Sweeney Todd and Heffes’ solo album, FACE TO FACE, features collaborations with artists such as the late Ryuichi Sakamoto, Regina Spektor and Yasmin Levy. Notable TV projects include the 2016 award-winning reboot of TV…
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Interview…Composer Randy Edelman on Songs, Scores and Career Retrospective
Most of the time, a film would be nothing without the musical score. We hold the music in higher regard than the narrative itself, and our heroes have always been film composers. Getting to run this site for almost fifteen years, I can admit to just plain geeking out when speaking to people in the film music community. Case in point. Randy Edelman is a legendary singer, songwriter, orchestrator, conductor, and a seasoned music man who has quite literally scored our childhood. Just looking at the impressive list of titles to his credit (Dragonheart, Beethoven, Troop Beverly Hills, The Mask, My Cousin Vinny, Angels in the Outfield, Shanghai Noon, Daylight)…
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Interview…Director Brett Simmons on Music, Muses and Meeting Your Heroes
It should be news to no one that Quentin Tarantino, Kevin Smith, Edgar Wright and Brett Simmons are big names in film. Granted you might not know the latter (yet!) but these filmmakers all share the same level of encyclopedic knowledge about the industry and important films which they use to take viewers on rides they’ve never had before. They make films the way they want and, more importantly, the way we fans want to see them. A sometimes hodgepodge of ideas and inspiration from what spoke to them through the years can be an instant hit and keep us talking long after the credits have rolled. Anyway, Simmons belongs…
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Interview…Composer Nathan Johnson on Harpsichords, Travelogues and ‘Glass Onion’
For those of you needing a classically clever whodunnit to add to your cinematic plate this holiday session, look no further than Rian Johnson’s Glass Onion. The next installment in Benoit Blanc mystery series is whip smart, hilarious, exquisite and layered…you know, like an onion. Herein, Johnson and company outdo everything in their last detective yarn. Bigger stakes, bigger laughs, bigger onions – it’s an exceptional outing! Every element just sings, and again Rian enlists his cousin Nathan Johnson to write a fitting score to accompany the masterful story. While subsequent yarns in the series are meant to be stand-alone events, the further adventures of the Kentucky-fried character required Johnson…
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Interview…Fest Friends: Natalie Metzger, Joe Badon, Tiffany Kimmel, Dawn Luebbe and Margaret Miller
Fantastic Fest 2022 was one of the very best – it’s certainly tops in my book for all the years we’ve covered and attended. One take away that is more impactful and enduring than seeing some gonzo foreign film, sitting for a secret screening or getting in on the ground floor for the next big genre spectacle is the people. Whether it’s the fans, the festival staff (including those hard-working volunteers!) or the filmmakers, there is a certain kind of magical haze that only exists on the festival circuit. Moreover, I fondly (and sometimes fuzzily) recall the conversations, chance encounters and unexpected friendships that have emerged from being in the…
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Interview…Justin Benson and Aaron Moorhead Dig Deep into Sci-Fi with ‘Something In the Dirt’
Filmmaking dynamic duo, Justin Benson and Aaron Moorehead are scientific anomalies in cinema. Their stories are so uniquely their own and so much so, they find themselves at the forefront of the genre landscape. But they’re also at the forefront of their own cinematic lens. If infamous is when you’re more than famous, then “in cinema” means, they are actually IN the movies. Yet for all the intergalactic yarns that have endeared them to scores of festival crowds, they try to dive into people more than plots. And when they do, even something as seemingly simple as that becomes a huge hot pot of thought-provoking ideas and genres. Sci-fi, comedy,…
