Doyle Donehoo is a rocker-turned composer who gets to live out one of his greatest scoing gigs to date. He grew up with the Alien franchise and that certainly made an impact. Starting with Ridley Scott‘s masterpiece – which he saw in the theater – he’s lived in this world. Ask his about his memorabilia and that would start quite a conversation. Years later, like a kid in a candy store, he gets to expand the palette established by Jerry Goldsmith, James Horner, Elliott Goldenthall and others while adding his own spice to the mix. The difference in his efforts here is that his music is crafted for a video…
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Interview…Kilamanzego on Identity, Electronic Sounds and ‘Black Weirdo’
If you’re on the hunt for new music, and are open to a palette expanding paradigm shift, you can’t do any better than Kilamanzego [“kill-a-man’s-ego”]. The moniker for Kay Oko (an experimental electronic music producer, vocalist, and visual artist based in Philadelphia) becomes her performer name – which initially was almost “Kilimanjaro” to pay homage to her African culture – that playfully and confidently makes a bold statement of women’s empowerment as a unique force in the electronic scene. We first heard her work on Bandcamp and were instantly hooked. After per-ordering her newest work, the pull-no-punches album called “Black Weirdo” has been playing non-stop in the car, my headphones…
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New Podcast: ‘Two Os in Goose’ Episode #1
Hey, film fans! We are thrilled to unveil a new podcast on GoSeeTalk! I am joined by my RIO (Radio Intercept Officer) Federico Furzan who is not only a great writer and a huge fan of film scores and cinema, but we also really love Top Gun. So we decided to launch something that is just being us – no agenda, no pretense, just good old fashioned movie talk. It’s probably the closest thing we’ll ever have to running our own video store. On today’s show we talk about what we liked or didn’t like in the first half of 2023. Also, Federico shares stories from his trip to LA…
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Interview…Derek Presley, Lola Lott and Jason Starne on the Deep Fried Noir of ‘Tonic’
We’ve all seen the movies where a character is a one-man army, or everything just happens to work out for them, right? Well, what if this particular man – the one carrying 100% of the story – is about as hopeless and down on his luck as you can find? In many ways that’s more appealing because it’s their flaws, quirks and weaknesses that shine brighter than their strengths. So let’s take a look at one such a character, Sebastian Poe (played by Billy Blair), in Derek Presley‘s latest film. Written and shot here in Dallas, Tonic tells the tale of a barfly jazz pianist who must commit murder in…
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Interview…Composer Sandro Morales-Santoro on Heritage, Heartstrings and Versatility
Sandro Morales-Santoro is an award-winning Venezuelan composer based in Los Angeles. This creative multi-instrumentalist specializes in music for film and television as well as interactive and new media. His most recent scoring projects include hit TV-shows like WeTV’s ‘Kold x Windy’ and National Geographic/Disney+’s ‘Restaurants At The End of the World’. Sandro has also composed original music for Marvel Animation’s film ‘The Secret History of Venom,’ as well as co-composing World of Wonder’s ‘Explant,’ a documentary exposé about the breast implant industry. His most recent film ‘The Shadow of the Sun’ will premiere at LALIFF in June 2023. His skills as a composer are evident throughout his lush orchestral scores,…
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Interview…Composer Nitin Sawhney on ‘What’s Love Got To Do With It?’
We love it when a film serves as a vehicle to say something deep and meaningful. One such story is the latest from Shekhar Kapur. His direction of the story from writer Jemima Khan – about the modernity to arranged marriages in Indian cultures – give What’s Love Got To Do With It? its tangible emotional core. Adding to the success of that is the score from composer/songwriter Nitin Sawhney (who wrote the original score for the film and three original songs). Shazad Latif and Lily James carry the film, yet it is the subtle worldly vibe the music adds to certain story beats which “marries” well with many pivotal…
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Interview…Paul Haslinger on Electronic Soundscapes, Subtext, and Scoring Processes
If you were around in the ’80s, few things defined “cool” like music did. And, film fan or not, the top of that list is most likely going to be Tangerine Dream: the German electronic music outfit who dominated airwaves and theaters with their cutting edge electric sound. One key member of that ensemble pushing the electronic side of the band was young Paul Haslinger who joined up with them after their big hits like Sorcerer and Risky Business. Bringing a younger video game sensibility, he helped change the course of their sound for the better and contributed plenty including scores to Near Dark, Miracle Mile and Three O’Clock High.…
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Interview…Composer Alex Heffes on the Fun, Feverish and Flavorful Score to ‘Mafia Mamma’
Alex Heffes is a Golden Globe, BAFTA and 3 x Ivor Novello nominated composer who has scored over 70 feature films and TV projects. He has worked with many of cinema’s top filmmakers including Kevin Macdonald, Steven Frears, Catherine Hardwicke, Mira Nair, Tim Burton & J J Abrams. His unique ability to collaborate with artists from different cultures has been been a trademark of his style. He collaborated closely with Burton on his screen adaptation of Sweeney Todd and Heffes’ solo album, FACE TO FACE, features collaborations with artists such as the late Ryuichi Sakamoto, Regina Spektor and Yasmin Levy. Notable TV projects include the 2016 award-winning reboot of TV…
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Interview…Composer Randy Edelman on Songs, Scores and Career Retrospective
Most of the time, a film would be nothing without the musical score. We hold the music in higher regard than the narrative itself, and our heroes have always been film composers. Getting to run this site for almost fifteen years, I can admit to just plain geeking out when speaking to people in the film music community. Case in point. Randy Edelman is a legendary singer, songwriter, orchestrator, conductor, and a seasoned music man who has quite literally scored our childhood. Just looking at the impressive list of titles to his credit (Dragonheart, Beethoven, Troop Beverly Hills, The Mask, My Cousin Vinny, Angels in the Outfield, Shanghai Noon, Daylight)…
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Interview…Director Brett Simmons on Music, Muses and Meeting Your Heroes
It should be news to no one that Quentin Tarantino, Kevin Smith, Edgar Wright and Brett Simmons are big names in film. Granted you might not know the latter (yet!) but these filmmakers all share the same level of encyclopedic knowledge about the industry and important films which they use to take viewers on rides they’ve never had before. They make films the way they want and, more importantly, the way we fans want to see them. A sometimes hodgepodge of ideas and inspiration from what spoke to them through the years can be an instant hit and keep us talking long after the credits have rolled. Anyway, Simmons belongs…
