Once in a while, we get the joy of speaking to the people whose works have brought us joy. Equilibrium is one of our favorite films. Today, we get to share with you the brief slice of cinematic glee we had chatting with Kurt Wimmer. He directed the above-mentioned Christian Bale led-actioner, and written a slew of stellar and substantive stories like Law Abiding Citizen, and remakes to Total Recall and Point Break. His latest is Childern of the Corn which is is based upon the short story “Children of the Corn” by Stephen King that gives the King short some poignancy amid tangible real-life character motivations. We had an…
-
-
Interview…Dominic Mariche and Calem MacDonald on Goo, Gore and Good Times in ‘Kids Vs. Aliens’
For all you film fans missing the days of Saturday morning cartoons and gleeful amounts of practical gore, Jason Eisener has something right up your alley. His gooey homage to weird, wild and extraterrestrial yarns from yesteryear will keep you entertained for the full run time. His latest is a raunchy throwback thrill ride about kids fighting aliens…and you really don’t need much more of a premise than that. Suffice to say, there is a whole lot of fantasy and sci-fi elements mixed in for good measure which makes this genre stew overstuffed (and gross) yet highly surprising and satisfying. We saw Kids Vs. Aliens last September and spoke to…
-
[Fantastic Fest Interview]…Jason Eisener on ’Kids Vs. Aliens’
Jason Eisener’s passion for fun filmmaking oozes right through the screen. Fun, furious and fast-paced, KIDS VS. ALIENS is like a kids playset come to life. An inventive alien abduction flick that really commits to its concept with the right amount absurdly over-the-top elements. If you love Treevenge and Hobo With A Shotgun, this flick offers is a wild look into what makes Eisener’s mind tick is one of the best playing. You’re gonna want much more. Promise! Enjoy our fun chat with Jason about kids, aliens, toys and Rutger Hauer’s improv. If you weren’t at FF this year to enjoy all the pint-sized fun, worry not. It’s been picked…
-
G-S-T Review…’The Water Man’
When it comes to films dealing with tragedy and loss, it’s not very hard to identify some blueprints that every piece of the plot follows. It seems Hollywood is set on showing a final moment, a grief stricken character that can’t let go, and the burning sensation of “it was all for nothing”. I’m sure not every film has to meet these rules, but it’s part of a general, manipulative trend. Death appears to sell. In The Water Man, we feel like we’re part of a known scheme. This is something that can clearly be identified in its first act. However, as the plot is unraveled we come to understand…
-
David Oyelowo’s Directorial Debut ‘The Water Man’ Acquired by RLJE Films
We always love to see an actor take the leap from working in front of the camera to behind it. And the next star to make that transition is David Oyelowo. Some of Oyelowo’s best and most recent work has been in Selma, Gringo, and Come Away. Now for his directorial debut, he helms the family adventure film, The Water Man, which has been acquired by RLJE Films, a business unit of AMC Networks, for North America, and by Netflix for the rest of the world. The film had its world premiere at the 2020 Toronto International Film Festival to much critical praise and also opened this year’s Urbanworld Film Festival. Oyelowo had this to…
-
Interview…Bill Duke on Nic Cage, and LSD Nightmare Fuel in Panos Cosmatos’ ‘Mandy’
This year, more than a month before Halloween, Panos Cosmatos is set to unleash his latest film on the horror masses. If you’ve seen Beyond the Black Rainbow, then you have a pretty good idea what to expect, and his sophomore effort is just as nebulous. While the narrative is slightly more linear and discernible, it’s an equally messed up Dungeons & Dragons fever dream that finds Nic Cage in full-on revenge mode. I’m not really sure how to describe any further. Even if I spoiled the story, it won’t keep you from being shocked and surprised at the madness within. So how about this: It’s like a heavy metal…
