Now that the announcement and full teaser trailer for Star Trek Into Darkness have been released, lots of questions have been raised about J.J. Abrams’ sequel. Questions like who is Benedict Cumberbatch‘s character John Harrison? and recently “Are You the 1701?“. But no question is more important to us film score geeks at G-S-T than “What will Michael Giacchino bring to the table for the next Star Trek film?“. Granted Michael already provided the score for the 9-minute prologue (which plays before The Hobbit), but even he admits that that theme may in fact change for the final product. Why? Well because J.J. and the team at Bad Robot are deep in post-production…
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Michael Giacchino – Live At The Meyerson Symphony Center
Oscar-winning film composer Michael Giacchino has won hearts around the world with his themes to Up, Star Trek, Lost among many others. The Dallas Symphony Orchestra invited Michael to conduct a retrospective concert this past weekend and it was an experience to say the least. His already thrilling music became even more vibrant as it echoed off every surface in the majestic hall of the Morton H. Meyerson Symphony Center. That plus the amazing contributions from the University of Texas at Arlington Festival choir helped make the themes you thought you knew and loved even more colorful on the evenings of May 18th – 20th. The air in the symphony hall before Michael…
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Exclusive: Video Interview…Film Composer Michael Giacchino
To close out their Masters of Film Music series, the Dallas Symphony Orchestra has invited Oscar-winning film composer Michael Giacchino (pronounced “Juh-keen-oh“) to conduct a retrospective concert from May 18th – 20th. The set list, which he’s calling Stories of Islands, Balloons and Space, will include a number of his most popular and well-loved themes/music including Lost, Up, Star Trek, Super 8 and Ratatoulie. While he’s garnered plenty of acclaim and accolades this will be one of the few time he’s ever conducted his work. But before he takes the stage for his 3 night engagement (the first time that an orchestra in the United States has performed a complete range of his work), he agreed to meet with G-S-T for an exclusive interview. Join…
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Exclusive: Interview…Film Composer Michael Giacchino
This week, Oscar-winning film composer Michael Giacchino (Star Trek, Super 8, Up, The Incredibles) will hold an exclusive 3 night engagement with the Dallas Symphony Orchestra. The retrospective concert experience will feature a set list of Giacchino’s finest works with an added bonus; Michael himself will be conducting his well-loved themes at the Meyerson Symphony Center from May 18th – 20th. In a very fun and informative interview from his office at Pixar, Go,See,Talk got to speak with Michael to discuss his influences, his passion, his process and how he weaves his musical magic. 20 minutes is nowhere near long enough to spend with this gifted musician (honestly I have pages of things I wanted to ask him), so before our on-camera session with him…
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Dallas Symphony Hosts “The Masters of Film Music” w/ Michael Giacchino
Oscar-winner, Pixar golden boy and creator of some of the catchiest and most memorable tunes in recent years, Michael Giacchino’s musical genius knows no bounds. His exciting, weighty and frenetic themes have been the unseen heart and soul in stories great and small, from video games and TV shows all the way up to big budget animated films and blockbusters. If you were emotionally invested in any Pixar, Bad Robot or other adventure/sci-fi production in the last decade, you were no doubt under the spell of maestro Michael Giacchino. This week, acclaimed film composer Michael Giacchino will hold an exclusive 3 night engagement with the Dallas Symphony Orchestra. The retrospective concert experience will feature a set list of…
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Interview…Sound Designers/Composers Sam Estes and Michael Hobe
When it comes to music as a profession, composer Robert O. Ragland might have said it the best, “The film composer has two main pressures…time and quality“. Sam Estes and Michael Hobe can certainly relate to all the hurdles in the creative process. They have seen their fair share of films, TV shows and video games and learned from the best in the industry while working as composers and sound designers at Hans Zimmer’s Remote Control Productions. Following their time there, they went on to produce private sound design and samples for the likes of Danny Elfman, Michael Giacchino, Junkie XL (Tom Holkenborg), and Christopher Lennertz. Sam specializes in taking a…
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Interview…Composer John Paesano on the New Sounds of ‘Kingdom of the Planet of the Apes’
When a film score hits the right notes, and propels the narrative in film, TV, video games or even a short, the results can be absolutely breathtaking. Sure, we all expect the sound that composers craft (guided by the picture or from conversations with the director) to do the heavy lifting, but even when it stays out of the way, as they say, timing is everything. And what ace composer John Paesano does to the above-mentioned properties has the ability to get us invested in such a short amount of time with a single key, a full symphony, or just plain silence. From a young age, Paesano knew film music…
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Music Review…’The Batman’ Is A Ballet of Brooding, Brains and Brawn
There’s a lot to love in the music of Michael Giacchino. He’s been to space, he’s been lost on an island, he’s been to the moon, far from home, he’s been up and inside out, and when it comes to modern composers, he’s the right one to let in if you want to get to the heart of the story. On that note, this film marks his fourth time collaborating with Matt Reeves, and what a team they have made over the years. The Batman finds him exploring new ground, well, for Reeves that is; Giacchino is all kinds of familiar with a superhero sound. But the world of dark…
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Interview…Giancarlo Vulcano on the Surrealism of USA’s ‘Briarpatch’
Composer Giancarlo Vulcano has years of experience in television writing music for long running series. The trick, so he tells us, is to have a system to getting his cues put together. As Michael Giacchino told us long ago, TV is a non-stop grind. Writing music for film can be a thankless job. Moreover, what Vulcano shared with us is that the perception of being a composer doesn’t exactly line up with the reality. It’s still difficult using music to convey emotion that the audience should feel while looking at moving images, but the most comforting aspect of our exchange was that the creative process can yield many answers to…
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Music Review…’Metal Gear Solid’ on Vinyl is Simply Solid
In 1998, Metal Gear Solid took the world by storm with its story, and genre-bending gameplay. Even by today’s standards (standards it defined, let’s be honest), it is still tough to top. Really, everything about MGS raised the bar for continuing entries in the series as well as video games across the board. One major component helping cement Metal Gear Solid as a modern classic was the music which gave the entire adventure a cinematic presence. It was persistent, driving, ominous, and helped make it feel like the stakes were high, with danger literally around every corner. The music is a tapestry of bright and steely synths, complimented by a…
