Today’s science fiction has a debt to Edgar Rice Burroughs. The man created what is widely considered one of the first alien worlds that leaved and breathed outside of our own realm. He gave them their own language, religion, culture, and feuds. And he did all of this with the first appearance of John Carter in 1912. Before Star Wars, before Avatar, before Star Trek, there was the Barsoom (what we call Mars) adventures and it was pulpy, light, fantastic fare. They inspired hundreds, if not thousands, of writers to dream big. Now, 100 years later, a big budget film version finally exists and I think it’s a worthy showcase…
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G-S-T Review…Being Flynn
A story about family and coping with the unavoidable bonds between us, Being Flynn is, in short, about accepting who you are so you can try to fix your own problems. Adapted from Nick Flynn’s memoir “Another Bulls**t Night in Suck City” the film is about Nick and his father going a very long way to come to terms with one another. You can try to run from your family but you can’t run from DNA and being family means they butt heads…a lot. That tends to happen with movie families but these are real people with real problems. It can be morbidly funny and Nick’s writing/personal experiences yield a more bitter than…
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Interview…’Silent House’ Directors Chris Kentis and Laura Lau
In conjunction with the release of Open Road’s one-take horror exercise, Silent House, I was presented with the opportunity to interview Chris Kentis and Laura Lau, the writer-director team behind the film, who many will remember as the duo behind 2003’s Open Water. I can’t deny that I was nervous; this marks my very first interview, for GoSeeTalk and in general, so naturally I felt anxious and a lot of pressure to represent myself, GST, and, ultimately, my subjects well. Luckily for me, Mr. Kentis and Ms. Lau made for one great, insightful, informative interview, providing a ton of detail about the process of making Silent House and working with star…
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G-S-T Review…Silent House
I have a feeling that a lot of people are going to peg Silent House as the latest horror film to engage in gimmickry through its apparent adoption of the found footage conceit, and they’ll be completely incorrect to do so. In the first place, it’s not a found footage film whatsoever. Marketing for the picture seems geared toward presenting it as another entry in that engorged horror sub-genre, and maybe the very presence of Chris Kentis and Laura Lau– the duo behind 2003’s effectively nerve-wracking Open Water— hints at a shared ancestry with the likes of Paranormal Activity. But Silent House is closer to movies like The Strangers, and certain contemporary French gore fests, and while…
