Prometheus, industrious and monstrously ambitious, deserves to be seen divorced from hype and hubris. Admittedly, that’s scarcely a small feat. Few films released in 2012 carry with them the massive weight of expectations which Prometheus bears on its shoulders. That’s just how things go for any production intent on serving as the precursor to cinematic iconography; in the case of Prometheus, that’s Alien, Ridley Scott’s 1979 science fiction/horror masterpiece. How does even a master like Scott top one of his best works more than thirty years after the fact? Put simply, he doesn’t have to, pedigree or not. His film only need exist on its individual merits, and happily Prometheus, a beautiful and thoughtful and flawed creation story, very…