The Family is a lot of things; a deliriously violent black comedy, the first real Luc Besson film Luc Besson has made since 2011’s The Lady (which was itself preceded by a string of children’s movies and fantasy fare), the latest entry in his filmography well beyond his retirement date, and further proof to fuel suspicions that the ever-lovely Michelle Pfeiffer keeps a magical painting hidden somewhere in her attic, to name a few. But it’s primarily a film that’s about Robert De Niro, not just in his capacity as its leading man but as a fixture in mob cinema iconography, so much so that The Family wouldn’t make a lick…
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G-S-T Review…Populaire
French writer/director Régis Roinsard makes his feature length debut with Populaire, the story of a young girl searching for her identity and purpose in the world during the late 1950s, and the man who pushes her toward stardom. Rose Pamphyle (Déborah François) is a naïve girl living in Normandy, the town where she grew up. Raised by her widower father, a stubborn and conservative man set in his ways, Rose looks to start a new life in Paris. Her rapid typing skills – using only two fingers no less – land her a job with Louis Échard (Romain Duris), a handsome but smug insurance agent. It’s her quick hands that…
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Sweet Trailer…'Escape From Tomorrow'
Scuttlebutt on Escape From Tomorrow started brewing during this year’s Sundance Film Festival, so those of you with your ears to the ground have probably been waiting for the most unusual Disney film of 2013 for quite some time. What makes Randy Moore’s picture so unique, though, is that Disney contributed nothing to its production save for location; Moore shot the entirety of his vision firmly within the bounds of both Disneyland and Disney World, and without securing a word of permission from the Mouse House. Is that dangerous? Not really. Is it subversive? Oh yes. And that’s what’s pulling attention to Escape From Tomorrow: that anarchic, guerrilla spirit. In…