It’s been a while since we chatted with Tom Holkenborg (aka Junkie XL), and boy how his career has soared. It wasn’t enough to follow George Miller to the ends of the ear and destroy the sonic landscape with such raw and powerful drums. As an artist, he had to push farther, and we’re so glad he did. His signature blend of rhythms – a style that comes from deep down in his DNA – can be heard in all his scores no matter how far apart they seem on the surface. Are we saying that Mad Max: Fury Road, Mortal Engines and Sonic the Hedgehog are the same? Yes.…
-
-
[DIFF Video Interview]…Matt Schrader Screens ‘SCORE: A Film Music Documentary’ at the Dallas International Film Festival
The 2017 Dallas International Film Festival brought many amazing films and documentaries to DFW, but few hit as close to home (musically speaking) as Matt Schrader‘s feature, SCORE: A Film Music Documentary. Schrader’s film profiles various personalities and titans in the industry to chronicle the history of film music, reaffirm its importance in our culture, and attempt to explain why certain scores continue to resonate decades later. I can honestly say I’ve been a music fan longer than I’ve been a film fan, and as such, forgive the pun, this doc was music to my ears. We spoke to Schrader in 2015 while he was in the middle of interviewing the composers for…
-
G-S-T Review…Mad Max: Fury Road
Ah, to ride through the gates of Valhalla, shiny and chrome. Tis the dream of any action junkie, right? That wouldn’t be a bad way to go. If you haven’t seen Mad Max: Fury Road yet, you have probably been just too busy or, like me, tied up with a new baby. But we’ll let you in on a little secret…it’s spectacular! It’s also everything every critic, everywhere, has said about it. Now the film is really something special, but even more remarkable is that at 70 years of age, George Miller is still making some of the best entertainment out there. He not only raised the action bar, he broke it,…
-
Interview…Composer Tom Holkenborg (Junkie XL) on the Emotion Behind the Adrenaline in ‘Run All Night’ and ‘Mad Max: Fury Road’
When it comes to working in the film industry, and if you happen to be a talented and in-demand composer like Junkie XL, 16-to-18 hour days are the norm. Suffice to say, a composer’s work is never done but they also need to carve out time for necessary levity. A bit of a practical joker when it suits him (just ask his then assistant and now good friend Sam Estes about the in-office pranks), Tom Holkenborg has put his stamp on the music world with his bombastic drum kit and adrenaline-themed cues. He also knows how to help the director get to the heart of their story. Whether it’s a segment or two in The Animatrix,…
