For the bulk of Anchorman 2: The Legend Continues‘ running time, Adam McKay will offer little argument to convince you of the film’s necessity. Of all the many, many sequels on 2013’s release slate, this one may be the most needless; 2004’s Anchorman: The Legend of Ron Burgundy remains a classic of slapstick inanity, an ode to the gut-busting power of random punchlines supported by nothing short of pure, unadulterated absurdity. It’s also remarkably self-contained, leaving room to go forward but little reason for anyone to do so, unless of course the question of money is brought up, in which case fie upon artistic integrity. Everybody needs a payday, after all, McKay,…
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G-S-T Review…A.C.O.D.
In comedy, timing is everything; timing can mean the difference between an audience erupting in belly laughs or awkward chuckles because they’re too polite to stay quiet. So when we sift through the individual pieces that constitute A.C.O.D.‘s whole, the element of timing emerges as chief among them. You need good timing to make bland jokes work, and without a good cast, there’s no good timing. How first time director Stu Zicherman managed to assemble his immensely talented group of actors and actresses- which starts with Adam Scott and ends with Jane Lynch – is a wacky mystery, but bully for him for finding the right people to make his…
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G-S-T Review…The Family
The Family is a lot of things; a deliriously violent black comedy, the first real Luc Besson film Luc Besson has made since 2011’s The Lady (which was itself preceded by a string of children’s movies and fantasy fare), the latest entry in his filmography well beyond his retirement date, and further proof to fuel suspicions that the ever-lovely Michelle Pfeiffer keeps a magical painting hidden somewhere in her attic, to name a few. But it’s primarily a film that’s about Robert De Niro, not just in his capacity as its leading man but as a fixture in mob cinema iconography, so much so that The Family wouldn’t make a lick…
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G-S-T Review…Hell Baby
Dubbing Hell Baby as a funnier version of A Haunted House or any entry in the reprehensible (and apparently endless) Scary Movie franchise feels like a serious kick in the pants to The State and Reno 911! veterans Robert Ben Garant’s and Thomas Lennon’s dryly funny exorcism farce. That’s sour news for the film, especially since many critics might end up making the exact same comparison, but on the bright side of things, Hell Baby happens to be a legit comedy; it’s funny on its own terms, and not just as a superior – if slightly uneven – alternative to the recklessly terrible and laughter-challenged garbage that passes as parody in the mainstream.…
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G-S-T Review…The Way, Way Back
Oscar-winning screenwriting partners Jim Rash and Nat Faxon (The Descendants) celebrate their directorial debut with The Way, Way Back, a familiar coming of age story that is sweet, funny and poignant. Teenage angst and the “us versus adults” battle shown from the male perspective are popular themes right now, with film like Mud and Kings of Summer releasing earlier this summer, but as a labor of love project for this filmmaking duo, The Way, Way Back has been a long time coming. It’s a film that manages to be a crowd-pleaser without trying too hard. The title refers to the back seat of a vintage station wagon, where 14-year-old Duncan (Liam James)…
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G-S-T Top 10 – Underrated British Comedies
Editor’s Note: In anticipation of Edgar Wright’s upcoming film The World’s End (which hits theaters in August) this Top 10 list is a guest post that comes to us from Zeke Iddon, a writer at the New York Film Academy. Much greater than the loose collection of stereotypes which British humour sometimes gets painted with, its comedy export is a weird and wonderful tapestry which caters to just about every taste. And ‘export’ is a good term for our comedic output, since many British shows are licensed, remade (for better or worse) and studied at film schools the world over. With Simon Pegg and Nick Frost’s new film The World’s…
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G-S-T Review…The Incredible Burt Wonderstone
Is there anything more depressing than the sight of a star being devoured by their own persona? The Incredible Burt Wonderstone spends an hour and forty minutes shamelessly cannibalizing Steve Carell’s Michael Scott shtick, even though it’s been two years since he left The Office; apparently, nobody bothered informing director Don Scardino that the puffed-up incompetent buffoon act grew stale before 2011. The real disgrace here is that Carell really does know how to perform, even if movies like Date Night and Dinner For Schmucks give the opposite impression by building themselves around his most overwrought and inorganic routine- just like Burt Wonderstone does for a hundred shapeless, aimless minutes. Here, Carell plays the titular…
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Ohhh, Look…Watch Full 'Victory's Glory' Skit From 'Movie 43'
Take the headline as more of a suggestion than a command. Truthfully, this clip says a lot more about Movie 43— the everything-but-the-kitchen-sink ensemble sketch comedy film hitting theaters this Friday– as a whole than meets the eye, though it also gives away a significant spoiler: the ‘Victory’s Glory’ segment really isn’t all that funny. In fact, if you’ve seen any of the trailers for the film, then you’ve already seen this bit’s best moments. Meanwhile, rest of the scene just tries to recycle its most effective beats over and over again for five minutes. I grant that this is just one minuscule chunk of an hour and a half…
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Sweet Trailer…'Seven Psychopaths'
It’s been four years since Martin McDonagh directed his first feature-length picture, but the wait between In Bruges and McDonagh’s next project is almost over. Today, Seven Psychopaths gets its first trailer, which should blow away any preconceptions you may have formed about the film in your head based on the title. For me, this is nothing but good news; with one two and a half minute clip, McDonagh’s placed his sophomore effort firmly on my radar for the fall season. Put more simply, Seven Psychopaths looks hilarious and deranged, but what else can you expect from a filmmaker with such a black sense of humor and a cast containing everyone from Walken to Rockwell to…
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G-S-T Review…The Campaign
For a film enjoying its theatrical run as the 2012 presidential election race draws closer and closer to the finish line, The Campaign feels supremely out of date. It’s worth mentioning right away that regardless, the film is frequently hilarious; from little, quiet, unexpectedly odd moments to much grander and more orchestrated fits of pure lunacy, The Campaign works on a strictly comic level. That’s half the battle, of course, maybe more depending on how you like your comedies, but it’s impossible to shake off the frivolity on full display right next to the movie’s prominent absurdities. How does one make a picture about politics in a politically aware era and at…
